This was sent to me by a friend of Lisa’s who asked if I would post it on this site. I have to be honest and say it is difficult to read, but profoundly real and a very close insight to Lisa’s last few years.
Message from sender: I received this beautiful article about Lisa today from a friend in D.C.She knew her from her “large circle of friends who adored her.”Please post it!
‘Sister Soldiers,’ Bound by Cancer
Upon Chevy Chase Woman’s Death, a Writer Remembers How Much She Saw in Life
By Emily Wax
Washington Post Foreign Service
Thursday, January 22, 2009; Page GZ05
NEW DELHI I still have the scratchy gray woolen cap Lisa Flaxman handed me that warm August day. I was just back from Kenya, where I was living at the time and working as a foreign correspondent for this newspaper. I had no car. But I did have breast cancer and needed to get to a wig shop in Wheaton. It was Lisa, herself a breast cancer survivor, who volunteered to drive me, even though she had three young children and even though she cried as she watched my long dark hair be chopped and fitted for a wig of dark brown Russian tresses. Outside the shop, Lisa pressed the fuzz-covered hat into my hands. “I know you,” she said, her blue eyes squinting at me for what felt like the longest time. “I know your type: You won’t wear that fake hair.” I’d met Lisa only a few days earlier. She lived in Chevy Chase with her husband and children. She had launched a string of music schools for toddlers called musiKids, including branches in Bethesda and the District. That’s how much I knew about her. But she somehow knew a whole lot more about me, because she was right — I rarely wore the wig. “You are edgy and dark, I can tell,” said Lisa, who was also an accomplished singer, a published poet and a “fully recovered Georgetown-educated lawyer.” She was busily engaged in several charity groups, including music programs for cancer patients. “You have moxie like me,” she said. “You will fight it till the end.”
On Jan. 14, eight months after her cancer recurred, she died. She was 43. She took her last breath with her family around her. They slept cuddled together in her bedroom, helping her through the night, her husband told me. They made a video together. Her son Benjamin, 11, played the clarinet for her as she drifted to sleep, not long before she died.
Her husband, Jonathan Martel, told me later that adults who have lost their parents at a young age often say their biggest regret is that they can’t remember them. “I want to preserve her memory,” he told me in a phone call to New Delhi, where I live now. “I want them to remember the Lisa you knew. The person she became and showed the world after she was diagnosed the first time.” Over the scratchy Skype phone connection, we shared all of the chilling moments that occur after someone’s death. “Now I was just going to say, ‘Let me give the phone to Lisa,’ ” her husband told me, and we both went silent. Soon after, in front of my computer, I thought of one of her poems from a book she’d written during her treatment. Chemotherapy was physically painful, psychologically harrowing and — worst of all, as she would have said — time-consuming.
“New day, no breasts. No shirt, no rest. Life as a unibreast woman,” she wrote in her self-published collection of poetry, “Glances at Time: A Young Mother’s Journey with Breast Cancer.” “My writings are the spider’s thread attaching me to my family and friends forever; they will never have to wonder how I felt, they will know and for that, I am thankful,” she wrote in the introduction.
So to her children, Benjamin, Sophie and Zachary, I will write simply: Your mom was so cool. She was a friend who always made herself available. During my chemotherapy, she hosted me and my husband for Thanksgiving. We sat in her living room, singing and playing guitars. She had a powerful, operatic singing voice, surprising for such a tiny woman, a lifelong vegetarian who was wafer thin and slightly taller than 5 feet.
She often performed live at public events and social functions. She had, after all, created musiKids, which serves more than 500 infants and children to age 5, simply because she couldn’t find a decent music class for her infant son. Later she started musiKares, a nonprofit organization to bring music to adult and pediatric patients at Lombardi Comprehensive Cancer Center, where she was active in the arts and humanities program and initiated a campaign to recycle CDs and donate them to hospitals to help patients relieve anxiety. She had plenty of other talents as well. She co-wrote a cookbook. She launched mompreneurCoach.com, an Internet site devoted to helping women start businesses. Her achievements were recognized; the Daily Record named her one of Maryland’s Top 100 Women for 2007. Recently, she casually mentioned she was holding a food drive after she read an article in the paper about bare shelves in local food banks. Poet Ezra Pound once wrote that “What thou lovest well remains, the rest is dross.” To me, this was Lisa’s life in the last few years, as if cancer were able to burn off impurities, the dross, leaving only the gold. Through month after month of my chemotherapy at the Lombardi center at Georgetown University Hospital, Lisa would call me with the same tone: “Do you have bone pain? How is the nausea? Do you still have eyebrows?” When I was too depressed or weak to answer the phone, she would leave a message: “I know you are there, Em. Pick up.”
In 2003, when her cancer was diagnosed, she had three children 6 or younger. After a double mastectomy with reconstruction, she endured four rounds of AC, better known to cancer patients as the “Red Devil” of chemotherapies, because of its fire-engine-red color. But just as the fuzz of her light brown hair was starting to return, two more tumors were found. She endured another four rounds of chemotherapy and eight more surgeries. She later showed me what she called “The Chair.” “And here I am, having banished myself to the basement, where I sleep in the reclining chair like a punished dog,” she wrote in a poem called “Nadir.” Lisa had a drive to see people clearly without the saccharine comforts that sentimentality might offer. “I find myself in front of the mirror 50 times a day/My nose pressed up against the glass,” she wrote in “Searching.” Throughout her treatment there was often a tension over lost time — hours or days away from her children “To change back from radioactive spiderwoman to mommy,” she wrote to older son Benjamin in a poem called “Superhero.” “A whole day I missed/A whole precious irreplaceable day.” She also had a heightened awareness of her inner life and the lives of others, the pain and the joy. She saw precious moments within the daily details of her life, her family’s lives. In her poem “Breathing,” dedicated to her daughter, Sophie, Lisa is tucking her into bed and notices “Her one perfect cheek,” which she kisses. “I would gaze at you forever, if you’d let me,” she writes in “Baby Z,” a poem to Zachary on his second birthday, where she is mesmerized by a son she knew was getting older.
After my treatment was over, my husband and I moved to New Delhi, where we continue our work as journalists, trying to present one part of the world to another. But my friendship with Lisa grew, even over such a vast distance. If my byline didn’t appear for a few days, she would e-mail and demand to know why. It was as if my features on flooding in Bangladesh or young women in India were letters home to her.
“Your words will outlast this disease, Em,” she said. “Keep your brain on a leash. Keep going. Keep living.” She always offered us a guest bedroom when we came to town. I never took her up on it, fearing she was just being polite and we would become troublesome houseguests in her busy home. But here was the thing: Lisa meant it. It was Lisa, who no matter how busy she was, always made sure we met face-to-face during my trips home. In a world that is growing increasingly cold with technology, increasingly busy, Lisa was always making genuine connections. In a poem dedicated to Sophie, she writes about a mother-daughter day of a pedicure, barrette shopping and Thai food, “without the fussy food boys around.” She spotted a woman wearing a turban and knitting something “spectacular and golden.” She wanted to reach out and let her know she also had worn a turban not so long ago. “How can I show her that although I look normal, I am not,” Lisa writes so beautifully. But she also wanted to have a playful lunch. Lisa, being Lisa, ended up reaching out. The woman she approached “smiled and as we talked her face grew lighter. I said goodbye. I cried all the way home. I won’t hesitate next time. I’ll remember that being connected by the thinnest string is a thousand times better than being alone.”
In October 2007, we both went to Georgetown for our checkups, and we shared a victory tiramisu at her favorite Italian restaurant in Chevy Chase. We sat at the bar and toasted with our forks. Our hair was long again. Our hopes were high. She handed me a copy of her book with the inscription: “Dearest Em: I miss you and wish we weren’t members of this club. But at least we have each other.” In May, just before my latest checkup, she said she was having terrible migraines. She said she felt weak and old, as if she’d suddenly aged 30 years. The doctors found a brain tumor. We huddled in her hospital room. She put on the bright blue pajamas I brought her from India, and we talked for hours as the chemotherapy slowly entered her veins. But to Benjamin, Sophie and Zachary, I want you to know that even with her head bandaged from brain surgery and her body filling with chemo, her generous friendship was there, as was her determination to prolong her life and be full of life and hope for as long as she could. I know that is what she wanted for me, for so many who were lucky to know her and, most of all, for her children.
“Have you written a book proposal yet on Africa?” she demanded to know, as a nurse came in to make sure the chemo was dripping fast enough. “Why not?” she scolded. “We don’t have forever.” Thinking about it now, it reminds me of her poem dedicated to a fellow breast cancer patient, Elizabeth Edwards. The poem is more about the resolve of powerful women than the specific scourge of cancer. She wrote, “We sister soldiers move forward/because to do otherwise is to die prematurely.”
Emily Wax is The Washington Post’s correspondent in India. She wrote this remembrance upon learning of Lisa Flaxman’s death last week in Montgomery County. Message from sender: I received this beautiful article about Lisa today from a friend in D.C.She knew her from her “large circle of friends who adored her.”Please post it!